Click HERE to learn more about Mozart’s Requiem through interviews in today’s Pasatiempo with conductor laureate Thomas O’Connor, and principal basset horn player Jeffrey Brooks.
“Even though he didn’t finish it, the Requiem is the peak of Mozart’s sacred writing. He takes very small fragments of melodies, and he manipulates them, and turns them upside down and backwards, and uses them over and over throughout the piece, so all the sections are related.”—Thomas O’Connor, conductor laureate
Buy tickets to The Mozart’s Requiem HERE.