Newsletters

Newsletters

4.2.24 Quatuor Ébène—A Portrait

Click above to watch an engaging vignette about the French ensemble, Quatuor Ébène. Join us on Sunday, April 14 at 3 PM to hear them in person! Buy tickets HERE. Read on Mailchimp.

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3.28.24 Join us on April 14 for Quatuor Ébène

French ensemble Quatuor Ébène presents music by Mozart, Alfred Schnittke, and Edvard Grieg on APril 14 at 3 PM at St. Francis Auditorium in the New Mexico Museum of Art. Buy tickets HERE. Read on Mailchimp.

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3.26.24 This April—Quatuor Ébène, Organ Recital III and The Mozart Requiem!

Join us this April for Quatuor Ébene on Sunday, April 14, Organ Recital III with David Solem on Wednesday, April 17, and our grand season finale performances of The Mozart Requiem on April 27 and 28. Buy tickets HERE. Read on Mailchimp.

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3.15.24 Organ Series—Recital II

Click above to listen to “Daffodils, being the poetry of Christ” from Frederick Frahm’s Three Flower Pieces. Join us on Wednesday, March 20 to hear it in person! Read on Mailchimp.

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3.7.24 Baroque Holy Week on OperaWire

Click HERE to read about our Baroque Holy Week concerts on OperaWire.  “Santa Fe Pro Musica continues its tradition of Baroque Holy Week concerts on historical instruments. This year soprano Clara Rottsolk performs music by women composers.”—Afton Wooten, OperaWire

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3.5.24 Meet the Musician—Clara Rottsolk, soprano

Click above to hear soprano Clara Rottsolk perform “Rossignols vous chantez (Printemps)” from Julie Pinel’s Songs. Buy tickets HERE to hear it in person on March 23 and 24! Read on Mailchimp.

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2.29.24 Join us for our Baroque Holy Week concerts!

Experience the music of French Baroque women composers performed on historical instruments this March 23 and 24 at the first Presbyterian Church of Santa Fe. Buy tickets HERE. Read on Mailchimp.

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2.27.24 Join us for our Series Finales!

Join us for our final three concerts that conclude our 2023–24 Baroque, String Quartet, and Orchestra Series’. Buy tickets HERE. Read on Mailchimp.

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2.22.24 Join us for the Elias Quartet this Sunday!

Click above to hear the Elias Quartet perform “Molto adagio” from Beethoven’s Quartet in E Minor, Op. 59, No. 2. Buy tickets below to hear it in person this Sunday. Buy tickets HERE. Read on Mailchimp.

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2.20.24 This Wednesday—Organ Recital I

Join us this Wednesday, February 21 at noon for the opening concert of Pro Musica’s new Organ Series. In this free, one-hour concert, Santa Fe local David Solem performs music by Louis Vierne, Bach, and César Franck. Read on Mailchimp.

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2.15.24 Experience the Elias Quartet on Feb 25!

Joinus on Sunday, February 25 at 3 PM art St. Francis Auditorium at the New Mexico Museum of Art for the Elias Quartet’s performance of music by Haydn, Stravinsky, and Beethoven. Buy tickets HERE. Read on Mailchimp.

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2.14.24 Announcing Our Free Organ Recital Series

This spring, we’re collaborating with the New Mexico Museum of Art and local organists in presenting four free one-hour solo organ recitals on the recently renovated Reuter pipe organ in St. Francis Auditorium. Read on Mailchimp.

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2.13.24 Join us of Feb 25 for the Elias Quartet

Known for performing, recording, and documenting all sixteen Beethoven string quartets in their ambitious “Beethoven Project,” the British Elias Quartet is praised by The Scotsman for their “intense, free-thinking approach [that sets] free the wildest excesses of Beethoven’s inventiveness.” Buy tickets HERE. Read on Mailchimp.

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2.8.24 This Sunday—The Brentano Quartet

This Sunday, February 11 at 3 PM sat St. Francis Auditorium the Brentano Quartet presents Shostakovich’s intensely personal String Quartet No. 8, dedicated to the victims of fascism and war, and  two of the most uplifting, ebullient quartets by Mozart and Mendelssohn. Buy tickets HERE. Read on Mailchimp.

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2.6.24 ABQ Journal’s Kathaleen Roberts interviews the Brentno Quartet

Click below to read about our String Quartet Series concert this Sunday, February 11 at 3 PM, with the acclaimed Brentano Quartet. “The program’s title ‘Chiaroscuro’ is an artistic term referring to the play of light and dark. ‘It really applies because two of the pieces are joyful and the Shostakovich is so dark and despairing,’ Canin…

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